MILAN, Oct 6 (Reuters) - RBRItalian furniture maker
Natuzzi expects its U.S. revenues to undershoot its
target by around 20% and come in at 85-90 million euros in 2025
due to a 15% tariff imposed by the Trump administration on
furniture imports, and a weaker dollar.
"The U.S. market was and remains fundamental for us, and
it's hard to replace for a high-end brand like ours," Mario de
Gennaro, Chief HR, Organization & Legal Officer, told Reuters.
The company is listed on the stock market in New York and
generates just under a third of its annual revenue in North
America.
Natuzzi, headquartered in Santeramo in Colle, close to the
city of Bari in southern Italy, said the combined impact of
tariffs and a roughly 14% depreciation of the dollar against the
euro has left it on course for a revenue shortfall of about 20
million euros this year compared to its initial projection of
over 100 million.
Following the tariff hike from 10% to 15% in April, Natuzzi
experienced a temporary slump in U.S. sofa sales, with volumes
initially dropping 30%. While the situation has since
stabilised, consumer prices in the U.S. have risen 5-6% for
directly managed stores and up to 15% via other retailers.
"The market sets the price. And if consumers see a price
they consider too high, they end up turning to U.S. competitors
who benefit from the tariff situation and the weaker dollar," he
added.
Natuzzi, which ended 2024 with 319 million euros in revenues
and employs 3,200 people globally-2,000 of them in
Italy-recently reshored part of its Asian production to its
plants in Puglia to serve the U.S. market. That decision
shielded the company from higher tariffs on Asian-produced
goods.
The sales crisis in the U.S. is affecting Italian factories.
However, De Gennaro ruled out the possibility of Natuzzi
producing in the U.S., but warned that further production shifts
could pose risks to Italian jobs.
The company is in talks with Italy's Labour and Industry
Ministries and unions to explore measures to safeguard domestic
manufacturing.
(Editing by Keith Weir)